Until the story of the hunt is told by the Lion, the tale of the hunt will always glorify the hunter.
– African Proverb

From left to right, Voortrekker Monument and The Apartheid Museum
Perspective matters in every narrative. If one visits the Voortrekker Monument the tale of White imperialism by Afrikaners would have a completely humane perspective. One’s indoctrination would include rhetoric heavily based on family, women’s tenacity, their resourcefulness and roles in the collective’s survival. Violence against Black South African tribes is mitigated and explained as retaliatory acts of self-defense. The resulting marginalization, racial othering and years of subjugation non-white South Africans experienced are never mentioned on the museum walls or by the tour guide.

Conversely, the Apartheid Museum documents the systemic subjugation of non-white South Africans. The focus is not on the trek but the lives of the marginalized and the ways the governmental system made it permissive. From entering the museum through racialized door labels, to viewing the various forms of identification cards, and the ways dark bodies were cataloged and codified, the racial animus and oppression directed towards non-white South Africans is evident.



Even the structures and their locations convey different narratives; one of access, privilege and wealth as evidenced and one that is not. The expansive views atop the Voortrekker monument seen in the video below provides context:
Designed by Gerard Moerdijk, attention to details such as the thirty two (32) sun rays that form the perimeter of the cenotaph when looking down from the sky dome, reveal the ways in which imperialism is celebrated and an alternative historical tale is narrated. Moerdijik’s design is also intended to permit a ray of sunlight to shine on the cenotaph at twelve o’clock on December 6th every year. The ray falls on the center and strikes the words ‘Ons vir Jou, Suid-Afrika’ which is Afrikaans for ‘We’re for you, South Africa.’ It marks the day the monument was open, the Vow of the Trekkers and symbolizes their connection to their God.

It is not a secret that the architects of the Apartheid system drew inspiration from America’s Jim Crow/Segregation era. Yet, when tales of Apartheid is mentioned, America’s role in its origin is seldom discussed. The narrative is often heavily rooted in a purely South African history; demonstrating another way perspective matters.




